William Quayshaun Carter

Point Eleven Films seeks $100M for a premium 10–15 project slate co-financed alongside major studios, targeting 2.2× capital return and 22–28% IRR via theatrical, streaming, international and ancillary revenue.

A premium slate-focused film fund targeting commercially viable feature films, prestige series and high-value IP-driven entertainment assets — anchored by A-list talent, secured distribution pathways and aggressive tax-incentive capture. Capital deployed across 10–15 high-probability projects, co-financed alongside major studios and established producers. Returns generated through theatrical, streaming, international pre-sales, licensing, soundtrack & publishing, sequel rights, and select equity participation in backend profits. Point Eleven Films operates as a vertically integrated entertainment finance platform combining in-house subsidiary services with federal, state and international tax-incentive capture to deliver project funding benefits of 20–45% above standard structures.

• Fund size: $100M deployed across 10–15 films and series over 36–60 months
• Target IRR: 22–28% (aggressive scenario); base case 2.2× capital return on projected $280M gross revenue
• LP terms: 100% return of capital, 8% preferred return, catch-up, 80/20 profit split
• JV partnership with Walt Disney Studios; active relationships across US, Israel, Germany, China, Australia, Korea and Canada
• Per-project allocation of $5M–$15M across studio-quality features (40%), prestige/awards (25%), family/animation (20%), series (10%) and 5% reserve
• Tax-incentive capture delivering 20–45% project funding benefit above standard structures via federal, state and international programmes
• 30+ project slate including flagships Lucky 13 (Malpaso), Fleetwood Mac documentary (Apple TV co-venture) and Krewe of Hunters (9-book NYT bestseller)
• Leadership team includes former VP Paramount/Orion/Miramax (Terry Kierzek, oversaw $10B+ distribution) and Christine Johanson ($3B+ raised since 2001)

Accredited investors seeking exposure to premium film and media assets with a 3–5 year horizon, comfortable with an aggressive 22–28% IRR target and $100M fund structure.